Virtual documentary festivals and markets are here to stay! Online offerings won’t replace LIVE events after Covid. But virtual formats and features will enrich live programs and can dramatically extend their reach. Two Different Documentary Events: Distribution consultant Peter Broderick has written the definitive special report on CPH:DOX, the Copenhagen-based documentary festival. I helped with …
Veteran media industry consultant Ed Hersh returns to my podcast platform to explore the multiple seismic changes shaking the Documentary / Unscripted sector and what producers need to know. We discuss how the term ‘Perfect Storm‘ captures the confluence of: Covid impacts, The shift by viewers from channels to direct-to-consumer (DTC) platforms like Netflix and …
SUNNY SIDE OF THE DOC is France’s great international documentary market. My guest is MATHIEU BÉJOT, Sunny Side’s strategy director, who is locked down and safe in Paris. Sunny Side 2020 is branded “The Connected Edition” to capture the many layers of digital Content, Trend-spotting and Networking that delegates will experience from June 22-25. Podcast …
Monthly News Highlights is a co-publication with Sunny Side of the Doc. Netflix takes Wildlife genre to the the dark side TIGER KING: Murder, Mayhem and Madness is a True Crime docuseries that pulls its punches on animal cruelty as it dives into the outsize characters and high stakes of Big Cat world. It is emerging …
It was standing-room-only at the East Village premiere that I attended for The Woman Who Loves Giraffes. The Q&A that followed resembled a celebrity speaking tour: the star in the spotlight was the sparkling 87-year old, Anne Innis Dagg. This Canadian feature combines several of my favorite genres: Archive-based History Wildlife Science Plus a bit …
The impact on the documentary economy of cancelled markets and events due to Coronavirus precautions is serious. A helpful approach to understanding this loss is to recap what’s involved in the distribution of fine, one-off documentaries in a typical season. This process was captured in my very useful post with Windrose‘s Pauline Mazenod. Read: How …
A Sundance campaign is a license to lose money. Lots of it! Here’s why: Let’s assume that the average production cost of all 1,774 Sundance submissions for 2020 is $500,000. Actual budgets range from around $200,000 up to $5+ million. $500K is a conservative average for a feature, according to D-Word‘s Doug Block. Production Cost: 1,725 …
A Sundance Film Festival award lags only behind an Oscar nomination as a measure of success for documentarians. But what are the odds that a U.S. or international documentary will earn a slot on the program? Submissions: 1,774 Documentary Features were submitted to the 2020 Sundance Film Festival, which opens on January 23: 840 were from the U.S. …